Return of the king.
It’s been a long time since we’ve seen Mega Man in action. 2010’s retro revival Mega Man 10 was the last time the Blue Bomber received a new release, with Capcom being seemingly hesitant to give the character a spotlight after the very public departure of Keiji Inafune, the iconic designer of the robotic hero. Since the launch of Mega Man 10, there’ve been many attempts by other developers to fill the void left behind; Inafune’s own Mighty No. 9 ended up being a crushing disappointment while new IP like Azure Striker Gunvolt showed fans that the dream could live on. Now Mega Man is back at the forefront with Mega Man 11, a brand-new release in the classic series, and Capcom has proven that it has lost none of the magic that defined many earlier entries in the series; make no mistake, this is a triumphant return to form.
The story picks up in the distant past, with a young Dr. Light and Dr. Wily arguing in front of a research grant board over whose research deserves further funding. Dr. Light — who’s researching the concept independent thought for robots — wins over Dr. Wily’s idea of powering up robots to be better than humans, and Wily leaves in a cloud of shame and anger, setting the stage for a life-long rivalry. Jumping back into the future, Wily digs up his old research again and sets into motion yet another plan for world domination, with Mega Man jumping into action to put a stop to him. As ever, the plot is hardly a central focus, although we were surprised at some point in how it touches on deeper subjects like artificial intelligence while also showing the shades of grey that exist between the ideologies of Light and Wily. You won’t find any Mega Man X-esque attempts at more focused storytelling here, but the plot does make an attempt to add more intrigue to the standard ‘Wily is at it again!’ song and dance.
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